The head of FX said the network wasn’t aware of Louis C.K.’s sexual misconduct while the comedian worked there, and also claimed an internal investigation didn’t turn up any additional incidents of misconduct.
FX CEO John Landgraf told reporters Friday that FX had “no awareness” of C.K.’s sexual misconduct before the initial accusations against him went public in November. C.K., who owned up to the accusations, was producing four different shows on FX before the network cut ties with him.
FX launched its own investigation in November to see if C.K.’s misconduct bled into his time with the network and came up empty-handed. Read more…
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Andrews used a ‘quintessentially Kubrickian idea’ to weld his raw drama together.
What happens in Una is unequivocally wrong: A middle-aged man seduces and has a sexual relationship with a 13-year-old girl. But director Benedict Andrews and screenwriter David Harrower don’t let us off with the easy answer. The film delves into uncharted waters of morality surrounding sexual abuse, where neither party is predator nor prey. We can’t fully hate the perpetrator, nor can we fully trust or empathize with the victim and her motivations. As are all experiences that challenge our perspective, Una is unnerving.
Based on the critically-acclaimed play Blackbird, which Harrower adapted himself, the film stars Rooney Mara as Una, now a grown woman who has tracked down her abuser, Ray (Ben Mendelsohn), despite the fact that he has changed his name after serving the prison sentence. Una wends its way between past and present as the unflinching confrontation plays out. What begins as a survivor’s effort to reappropriate her past turns into a disquieting inquiry into the nature of truth, love, and redemption.
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