Stephen King Talks The Dark Tower, Plus a Tour of King’s Maine

Stephen King Talks The Dark Tower, Plus a Tour of King's Maine

Stephen King talks to us about The Dark Tower

It’s been nearly 40 years since “The Gunslinger,” the first story in Stephen King’s magnum opus “The Dark Tower,” was first published. Now the saga of Roland, Jake Chambers and The Man in Black has come to life on the big screen this weekend in Sony PicturesThe Dark Tower, starring Idris Elba as Roland (the last gunslinger) and Matthew McConaughey as Walter (The Man in Black). We had the opportunity to take a tour of King’s hometown of Bangor, Maine where we saw sites that inspired (and were inspired by) King’s work, and then got to sit down and talk to the man himself. You’ll find the interview below the tour gallery!

 

ComingSoon.net: Did you ever think this would happen?

Stephen King: I never really thought about it that much. I mean, there were times when people would express an interest in it and then they’d go away again. Interest came back over time after Peter Jackson’s success with the “Lord of the Rings” movies. It never seemed like a “movie movie” idea as complex and long as it is. They’ve done a wonderful job here of telling a story that’s coherent and has all the elements of the novel “The Dark Tower.” The purists may not like it. I can’t tell about that for sure, because it doesn’t start where the books start, but at the same time, I could follow it anyway because I knew exactly what’s going on. I don’t think about that, I think about writing the next book. I’m more interested in the next thing than the last thing.

CS: Having seen the movie the other day it was kind of like the whole “Dark Tower” series thrown into a blender. Is it like being able to look at the series through fresh eyes for you?

King: Yeah. It is. And there’s so many things in the various stories, the plots are fairly complex and the characters interact and they go back and forth. I think that Akiva Goldsman, who wrote the screenplay, picked out what seemed to him to be the most accessible and human relationship kind of thing between this old guy, Roland, who’s been around for a long, long time, and the kid. And they had a wonderful chemistry when they were doing the show. And it comes through on the screen. So yeah, I mean, they had to make some decisions. Some of those decisions are related to telling a story that the general public will get, not just the the hardcore “Dark Tower” fans, the guys who show up at the fantasy conventions with Roland tattooed on their heads, something like that. So they want to get to those. You have to keep in mind that of all the books that are written, the fans of the “Dark Tower” books are the most zealous, the most fervent fans of all. But they make a small subgroup of the people who read books like “The Shining” or “Misery” or that sort of thing. So you know, they’re an acquired taste. They’re fantasy.

Roland (Idris Elba) in Columbia Pictures' THE DARK TOWER.

CS: I hate to ask you, because the film actually got negative feedback when Idris Elba was cast as Roland, what do you say to those people and what’s your response to the casting of the two primary leads?

King: Well, what I said in a tweet after all that discussion started was I didn’t care what color he was, as long as he could command the screen, draw fast and shoot straight. So it doesn’t make any difference to me, because I don’t even really see people when I’m writing because if I’m writing about a character, I’m behind their eyes, you know? Unless they walk by a mirror or something, I don’t even really see what they look like. But what really sort of made it an issue in my mind, when they cast Idris as Roland was, all of those books were illustrated to start with, those Grant novels were all illustrated. And in all those pictures, Roland is a white guy, and I never thought about that one way or another. But obviously, that became part of the mindset. But you know, it’s weird, isn’t it? Why shouldn’t he be black? Why couldn’t he be a black guy to do this? It’s like, you know what’s weirder than that? You see this show “Game of Thrones” and Westeros, they’re all British. They’re all British. I mean, Westeros is basically England, right? And nobody ever questions that. So I mean, to me, the idea that a black man would play Roland is minor compared to that.

CS: Do you hope he has a hat in the next movie?

King: It’s funny, isn’t it? Trade secret, in a lot of the pictures, not only is he white, he’s wearing a hat in most of those pictures. And I talked to the producers of the movie about that. And they said that in Western movies where the main character wears a hat don’t do well at the box office. And I said, “Really? Well, Denzel wore a hat all the way through ‘The Magnificent Seven.’ And that did pretty good at the box office.” But they don’t pay attention to that.

CS: A lot of this movie takes place on Keystone Earth, so it would be kind of silly if he was walking around New York looking like Crocodile Dundee.

King: Oh, I don’t know. I mean, have you been to New York lately? (laughs) I mean, they have a guy in Times Square that’s called the Naked Cowboy.

CS: Do you think you’ll ever go back to this world, fill in more of Roland’s backstory, write another “Dark Tower” book?

King: I’ve thought a lot about those characters in the last year or so, because they were making this movie. Actually, the last two or three years, because I had a lot of meetings with Ron Howard, who’s one of the producers and was very instrumental in bringing it to the screen. So I thought about them a lot then. I thought about them again when I did the “The Wind Through the Keyhole,” which was kind of a postscript to the books. And the funny thing about it is, I’m usually all about the next thing. And that’s why, you know, somebody was asking me at dinner, “Are you all bound up in the success or failure of this movie and the other movie?” And the answer is, no. The books are there. The books are done. And that’s sort of where my focus is. But when you do come back to them, like I don’t know. I wrote “The Gunslinger” around 1970, and years went by. I mean, it was after “Pet Sematary” that I wrote the second one, because people asked for it. And then, a couple of more years later, the third one. And then, there was a long stall out.

darktower

CS: I remember.

King: And what I’m getting back to is every time that I came back, it was like meeting old friends, you know? And I picked up the story immediately and that was great. And I felt the same way. This is a plug for a wonderful TV series called “Mr. Mercedes” that’s going to start in about a week on DIRECTV Network. And you know, I wrote that book and there was this minor character whose name was Holly Gibney, who was at a funeral and Bill Hodges was supposed to comfort her. Bill Hodges is a cop. And she just walked in and stole a book. And sometimes, that happens with characters.

CS: Your character kind of admits in the sixth book you, yourself, that you lost an outline. Is that an actual story, is that a true story?

King: Yeah.

CS: You had a long outline for this?

King: I had an outline. It wasn’t particularly long, but it outlined the entire book, you know, the entire cycle of the books. And I did lose that. The only thing I can remember about it is it was written on a typewriter in the campus newspaper office at the University of Maine. It was one of these things that was built to receive teletype as well as type. So it had all capital letters. So I remember the outline, but I don’t know where it went. I don’t even know where the first draft of that book went.

CS: We were touring around today seeing all the sites that had inspired you. What inspires you these days? Has your response to fear or the things that draw fear out of you changed over the decades?

King: I don’t think so, a little bit. I don’t think that I’m as close to the childhood monsters and things that I was close to in my 20s and 30s. It’s just a natural thing. You know, you’re closer to your childhood. You remember more of what your childhood — and then, you get this double dip because you have kids of your own and you see what they’re seeing and you’re close to them and you have them almost as research subjects, you know, kid things, you’re watching what they’re doing all the time. I don’t know. There are things that I’m interested in, but there’s no way to generalize the case exactly. I see pictures sometimes in my mind. You know, it’s like I see dead people. And sometimes I do. But then I think I would like to write a story about that, find out what it’s about. I think that in the last few years, I’ve written more about old people. I’m not sure that’s the demographic I really want to go after because they’re shrinking all the time. But you know, you write what you know. When you’re young, you write about young people.

CS: Is there anything that didn’t make it into the movie that you wish had?

King: Well, there are things I think that the hardcore fans are going to wish were in the movie. And all I can say is that if the movie’s a success, there will be a sequel. I would love to see those doors into our world. And there is some of that in this movie. I would love to see Roland on the beach with those lobster monstrosities and stuff. I understand the rationale behind the movie that’s PG-13, and I was totally signed off on that. I think it’s the right thing to do. I want as many people in the tent as possible for all kinds of reasons. Part of it, having to do with the dynamic between the gunslinger and the boy, because I think that’s a father/son relationship. I’d love to see the next picture be R because I think that’s sort of where we’re coming from now, where the movies need to go. For a long time, PG-13 was the safe spot to go. And when pictures were R, the studio executives would say, “Well, we know that this is going to make 20 percent and 30 percent less money because we’re going to exclude a market, a prime part of the movie going public.” I think that movies like “Deadpool” and “Logan” changed that to some degree.

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CS: Do you think it would be strange if they didn’t do “Drawing of the Three” in some way, shape or form next?

King: I think that would probably happen, yeah. I think that would be the logical place to go. I had to think about it in my mind. Like I said, I’m not into that part of it, the creative part.

CS: And in terms of your personal accomplishments, how high do you rank getting blocked by Trump on Twitter?

King: Not very high. Not very high. Getting blocked by Donald Trump on Twitter is a little bit like striking out the pitcher. I thought it demonstrated a sort of, I don’t know, I just think of a little kid with his little lip all the way pushed down, you know, it’s a childish thing to be done.

CS: Well, I thought it was pretty cool.

King: Not that you can’t. You know, thank you. I got a lot of good ink for that, actually. Go me.

CS: They managed to fit in your famous opening line, “The Man in Black fled across the desert and the gunslinger followed.” Were you happy with the way it’s incorporated into the film?

King: Yeah. I am. I was after them from the beginning to get that line in there. Not for me, but for the people who quoted it and stuff. It’s strange to me, but that line has become important to people, because when I wrote it it was just a line. It was a way into the story.

CS: It’s just this treasure trove in your mind. You’re so prolific and you’ve written so much. Where does that keep renewing itself from?

King: I don’t think it does. I think you get a finite number of stories, and when I was, let’s say 25 or 26, it was like people trying to escape a burning building. Inside my head, there were all these ideas that were crammed together, and I wanted to write them all at once. And now, I have less, but I’m grateful to have any, so that’s good. I’m working now, and that’s all I need. It’s a good thing. And I have a few ideas. I don’t know if they’re very good, but they’re ideas.

CS: Can you talk about what you’re working on now?

King: No. There’s a book done for next year and there’s a book that I wrote with my son called “Sleeping Beauties” that’s out next month. And he and I are going to go on tour. It’s nice to be able to write a book with your son. He told me what to do and I did it. This is a preview of the old folk’s home.

The Dark Tower is now playing in theaters everywhere.

The_Gunslinger__1988_trade_paperback_

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Now Stream This: The Late and Great Sam Shepard, Some Stephen King, and One of the Creepiest Movies Ever

now stream this sam shepard

(Welcome to Now Stream This, a column dedicated to the best movies streaming on Netflix, Amazon, Hulu, and every other streaming service out there.)

Crank the air conditioner – August is upon us, bringing with it the dog days of summer and the realization that the winter is more terrifyingly close than ever. But there’s still plenty of time left to stream movies. In fact, you have your entire life to do that, so why not get started now? If you’re unsure of just what to watch, never fear – Now Stream This is here.

In this edition, we have a recent film with a stellar performance from the late, great Sam Shepard; one of the most genuinely creepy ghost movies ever made; an ambitious, often misunderstood sci-fi epic; a Stephen King adaptation; one of the strangest sequels in Hollywood history, and much more! So dab some sunscreen on your nose and pull the recliner up nice and close to the TV. Let’s get streaming.

1. Cold In July
Now Streaming on Netflix

Actor and playwright Sam Shepard died earlier this week. Shepard’s death is a great loss to film and theatre, but at least he leaves behind a wealth of work to cherish. There’s plenty to pick from to highlight Shepard’s talent, but one of the best recent examples is Jim Mickle’s 2014 thriller Cold In July. Adapted from a story by Joe R. Lansdale and throwing off some serious John Carpenter vibes, Cold In July features Michael C. Hall as a man who kills a home intruder, only to be drawn into a much bigger and far more sinister plot with the dead intruder’s father, played masterfully by Shepard. Don Johnson also shows up, and nearly steals the whole film, but this is a perfect showcase for Shepard’s talents.

For fans of: Hap and LeonardChristine, Blue Ruin, mullets.

2. The Friends of Eddie Coyle
Now Streaming on FilmStruck

If you like your crime dramas bleak and grainy, don’t miss Peter Yates’ marvelous, depressing The Friends of Eddie Coyle. Robert Mitchum gives a career-best performance as weary, aging bakery truck driver Eddie Coyle. To make ends meet, Coyle runs guns on the side – a smooth operation that goes south very quickly. One of those ’70s flicks where the film grain is essentially a character itself, The Friends of Eddie Coyle is melancholy and memorable, just don’t sit down to watch it expecting a feel-good experience.

For fans of: The Taking of Pelham One Two ThreeThe Town, existential woe.

3. Lake Mungo
Now Streaming on Shudder

This criminally underseen 2010 Australian chiller from Joel Anderson is the rarest of the rare: a modern horror movie that’s actually scary. And I’m not talking about cheap jump scares here. No, Lake Mungo is a ghost story that creeps under your skin and chills your blood, having you nervously looking around once it’s over. A found-footage style story of a family coming to terms with the sudden death of a loved one who may or may not have entirely departed. This is the perfect horror film to watch in your living room with the lights turned down. Just don’t be surprised when you’re quickly turning them back on once the credits are rolling (oh, and by the way, keep watching all the way through the credits for even more creepiness).

For fans of: Session 9, Paranormal ActivityThe Others, getting the creeps.

4. Laura
Now Streaming on FilmStruck

Otto Preminger’s brilliant film noir sets up a seemingly straightforward mystery: who killed successful advertising executive Laura Hunt (Gene Tierney)? But nothing is straightforward in Laura, and the film travels down dark alleys you wouldn’t have suspected as the cop investigating the case (Dana Andrews) finds himself smitten with the dead dame. Somehow simultaneously breezy and disturbing, Laura is one of the best movies Hollywood ever produced, so you should probably get around to watching it if it’s somehow escaped you all this time.

For fans of: Anatomy of a Murder, The Big SleepTouch of Evil, Vincent Price without a mustache.

5. Cloud Atlas
Now Streaming on Netflix

Even if you don’t entirely like Cloud Atlas, you have to appreciate it for the ambitious, wild film experience that it is. The Wachowskis and Tom Tykwer adapted David Mitchell’s novel into a sprawling 171 minute extravaganza. Multiple plots stretch out across six different time periods, from the past into the distant future, with a cast that includes Tom Hanks, Halle Berry, Jim Broadbent, Hugo Weaving, Jim Sturgess, Ben Whishaw, Hugh Grant and many, many more, all playing multiple characters. It’s almost impossible to summarize this movie – you just need to see it to believe it.

For fans of: The FountainThe MatrixThe Hours, Tom Hanks using an incredibly unconvincing Irish accent.

Continue Reading The Best Movies Streaming Right Now >>

The post Now Stream This: The Late and Great Sam Shepard, Some Stephen King, and One of the Creepiest Movies Ever appeared first on /Film.


/Film

‘Guardians of the Galaxy 2’ Holds at #1 While ‘King Arthur’ Falls on His Sword

UPDATE: Fox has finally sent over debut international results for Alien: Covenant, which released in 34 international markets this weekend with an estimated $ 42 million. The film was #1 in 19 of its opening markets including South Korea ($ 7.2m), UK ($ 6.4m), France ($ 4.5m), Australia ($ 3.1m), Spain ($ 1.9m) and Hong Kong ($ 1.8m). Next weekend, along with its domestic debut in 3,600+ theaters, the film will open in 52 markets including Germany, Russia and Sweden. Here’s a look at the top p…
Box Office Mojo — Top Stories

/Filmcast Ep. 418 – King Arthur: Legend of the Sword

King Arthur Legend of the Sword trailer

DavidDevindra and Jeff re-affirm that Doug Liman’s still got “it,” debate the merits of naming your child Kylo, and praise the new season of Master of None. Be sure to read how Matt Zoller Seitz inspired this week’s Leftovers.

You can always e-mail us at slashfilmcast(AT)gmail(DOT)com, or call and leave a voicemail at 781-583-1993. Also, like us on Facebook!

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SHOWNOTES

What We’ve Been Watching (3:30)
  • David: The Wall
  • Devindra: Master of None, I Love Dick
  • Jeff: Castrophe S3, The Detour
 Film News (18:00)
Featured Review (50:00)
  • King Arthur: Legend of the Sword
  • (1:07:30) SPOILERS
After Dark (1:16:15)

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‘The Lion King’ Casts Billy Eichner and Seth Rogen as Timon and Pumbaa

The Lion King Remake Cast - Seth Rogen and Billy Eichner as Timon and Pumbaa

Today, Walt Disney Pictures set release dates for a bunch of their movies coming to theaters over the next couple years, and that included their live-action remake of the modern animated classic The Lion King. Director Jon Favreau is tackling the project after remaking The Jungle Book for Disney last year with Donald Glover taking on the role of Simba and James Earl Jones reprising the role of his father Mufasa, with Beyonce being eyed to play Nala. Now two of the most important characters in the movie have been cast as well.

Undoubtedly the most entertaining characters in The Lion King are the meerkat and warthog duo known as Timon and Pumbaa. The characters were voiced by Nathan Lane and Ernie Sabella respectively in the 1994 animated musical, but in the live-action remake, they’ll be voiced by Billy on the Street host Billy Eichner and blockbuster comedy star Seth Rogen.

Find out more about The Lion King remake cast below.

The casting of Timon and Pumbaa (reported by The Wrap) is arguably more important than that of Simba. The two characters were easily the most memorable from The Lion King, and they’re also responsible for the most popular and infectious musical number, “Hakuna Matata.” The song is an upbeat, lively and fun tune that means “no worries” when translated from Swahili to English. If you’ve somehow forgotten how that goes or you’ve been living under a rock, here it is:

There has been no confirmation as to whether or not this remake of The Lion King will be a straight-up musical like the animated original, but since the Beauty and the Beast remake went that route, it’s not out of the realm of possibility, especially with musical talents like Donald Glover (who raps as Childish Gambino) and Beyonce taking the two lion leads. Then again, the remake of Cinderella wasn’t a musical, and The Jungle Book only utilized two songs from the original movie. Still, remaking The Lion King and excluding “Hakuna Matata” would be a mistake, even if it’s one of only a few songs in the movie.

We know that Billy Eichner can carry a tune pretty well, even if it’s not as good as Nathan Lane, but Seth Rogen doesn’t have the same caliber of voice as Ernie Sabella. That could be an indication as to whether this is actually a musical, but it wouldn’t be hard to touch up Rogen’s voice or make his contributions to the song less of a vocal stretch. More importantly, they both have the right persona and presence to nail each character. I can just hear Timon’s lines coming from Billy Eichner already, and it brings a smile to my face.

Now the next question is, who will Jon Favreau get to play Scar? Christoph Waltz seems like the most obvious choice, but that’s almost too easy. Maybe Mads Mikkelsen is up for the task?

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/Film

King Kong TV Series in Development, Unrelated to Legendary’s Kong: Skull Island

King Kong TV Series in Development, Unrelated to Legendary's Kong: Skull Island

King Kong TV Series in Development, Unrelated to Legendary’s Kong: Skull Island

MarVista Entertainment has announced today a partnership with IM Global Television to develop, co-produce, and co-finance a King Kong television series, which is completely unrelated to the recent Kong: Skull Island.

Based on DeVito ArtWorks’ Skull Island property and Merian C. Cooper’s King Kong, King Kong Skull Island is a comprehensive King Kong Universe exclusively endorsed by Kong’s creator. The series is a serialized, contemporary continuation of the classic with a female-led, multi-cultural ensemble that delves fully into the wonders and horrors of Skull Island and its origins. Academy Award nominees Jonathan Penner and Stacy Title are attached as writers/executive producers. Dannie Festa (Trolls) of World Builder Entertainment will executive produce.

“It’s been a privilege to work with Joe DeVito and his truly unique, never-before-seen Kong universe,” said Festa. “We feel confident that it will be hugely appealing to fans all over the world.”

“Jonathan and Stacy have taken a world that has enraptured audiences in all its many forms over the years and given it a contemporary, female-focused spin,” said MarVista CEO Fernando Szew. “It is with great anticipation that we partner with IM Global Television to bring this exciting new vision directly into viewers’ homes.”

“There’s clearly a deep and abiding interest in this timeless story. We love Stacy and Jonathan’s approach to this adaptation and look forward to partnering with MarVista as we bring this gripping tale of survival and adventure to life for a new generation of Kong fans,” said IM Global Television President Mark Stern.

It is worth noting the the legal history of King Kong is an incredibly-complicated thing. In a world of fairly cut and dry “movie rights” like DC Comics or Marvel, King Kong has gone through an extensive battle in the court system with the character’s ownership divided across multiple parties: Time Warner own the rights to RKO’s original 1933 film and its sequel; StudioCanal own the international rights to the 1976 remake and its sequel, however Paramount Pictures owns domestic rights to the 1976 remake; Merian C. Cooper’s estate owns the book and publishing rights to the character; and Universal Studios own the majority of the rights to Kong, except (perhaps most importantly) the trademark to the character. In addition, the novelization of the screenplay to the 1933 film sits in the public domain, and is open to adaptation by anyone. It’s a veritable jungle.

Furthermore, it is also worth pointing out that writer/artist Joe DeVito, of the aforementioned DeVito ArtWorks, previously sued Legendary Pictures, Warner Bros., and the producers of Kong: Skull Island for allegedly stealing his ideas in a defunct pitch for a Kong TV series. In 2004, with the permission of the Cooper estate, DeVito created and illustrated Kong: King Of Skull Island, a book that functioned as prequel/sequel to the original movie, which will be the basis for the in-development television series.

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Dolph Lundgren Cast in ‘Aquaman’ as King Nereus

dolph lundgren cast in aquaman

Dolph Lundgren just can’t keep away from the DC Comics properties, trading up from ruling a criminal empire on Arrow to ruling the high seas in the James Wan-helmed Aquaman. The Expendables star has been cast as the dastardly King Nereus opposite Jason Momoa‘s Arthur Curry in Warner Bros.’ upcoming DC superhero movie.

According to The Hollywood Reporter, Lundgren will be joining the Aquaman cast and returning to big-screen action movies for the first time since The Expendables 3. Here is Lundgren’s character description per The Hollywood Reporter:

Lundgren will play King Nereus of the aquatic kingdom of Xebel, who claims Mera as his own and wants to kill Aquaman.

Nereus is the leader of the Xebels, an exiled group of Atlanteans that Queen Mera, Aquaman’s wife played by Amber Heard, was once part of. The character is a fairly new addition to the Aquaman canon, debuting in 2013’s Aquaman #19 during the “Death of a King” arc. It’s unclear what part Nereus will play in the film, or if he will be Aquaman’s main antagonist, but it looks like Aquaman will be set upon from all sides in his solo film, with the Ocean Master (Patrick Wilson) and Black Manta (Yahya Abdul-Mateen II) already set to antagonize the King of the Seven Seas.

This isn’t the first time Lundgren has played a DC universe villain, recurring as Russian crime lord Konstantin Kovar on The CW’s Arrow. Nor is he a stranger to hamming it up as a baddie in sci-fi spectacles — the Swedish actor has built a 30-plus career playing swaggering villains and establishing himself as an ’80s action icon — which may be why Wan, a proud fan of ’80s action films dripping with machismo, cast him in Aquaman.

It’s to be seen, however, whether his turn as the regal King Nereus will beat anything that he did in Masters of the Universe.

The star-studded cast of Aquaman is rounded out by Nicole Kidman as Aquaman’s mother, Willem Dafoe as his friend Vulko, and Temuera Morrison as his dad.

Aquaman is set to start production this May with a theatrical release of December 21, 2018. Momoa’s Aquaman, who is making waves as a Polynesian version of the typically blonde, white character, will make his big screen debut in Justice League on November 17.

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/Film

Sleeping Beauties: Stephen King and Owen King’s Novel to Become Series

Sleeping Beauties: Stephen King and Owen King's Novel to Become Series

The upcoming novel Sleeping Beauties from Stephen King and Owen King is being developed for TV

The rights to the upcoming Stephen King and Owen King novel Sleeping Beauties were recently acquired by Anonymous Content, according to Deadline. Now we’ve learned that the novel is being developed for TV. Sleeping Beauties will be released on September 26, 2017 and is set in a small Appalachian town whose primary employer is a women’s prison. King, of course, is well known for his writing with 54 novels and counting, as well as over 200 short stories and six non-fiction books. Many of those have been brought to the big screen, including MiseryPet CemeteryThe Green Mile and Cujo, just to name a few. We’ll see more when IT and The Dark Tower premiere later this year. We’re also getting an amalgam of his work in the Hulu streaming series Castle Rock. The executive producers for Sleeping Beauties are Michael Sugar and Ashley Zalta.

Here is the official Amazon description of Sleeping Beauties: “In a future so real and near it might be now, something happens when women go to sleep; they become shrouded in a cocoon-like gauze. If they are awakened, if the gauze wrapping their bodies is disturbed or violated, the women become feral and spectacularly violent; and while they sleep they go to another place… The men of our world are abandoned, left to their increasingly primal devices. One woman, however, the mysterious Evie, is immune to the blessing or curse of the sleeping disease. Is Evie a medical anomaly to be studied? Or is she a demon who must be slain?”

What do you guys think of the premise for Sleeping Beauties? Are you excited at the prospect of more work from Stephen King hitting your TV? Are you interested in reading his work with his son Owen? Are you looking forward to IT and The Dark Tower? Let us know in the comments or tweet us @ComingSoonnet.

 

 

 

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