The sudden death of Chris Cornell has sent shockwaves among first-generation grunge fans and the younger ones who appreciated his later solo works or with the Audioslave super group.
Cornell, one of the most powerful, soulful, eclectic voices of his generation, wrote some eerily prophetic words about David Bowie’s death last year.
Musing for Rolling Stone on the meaning of art, Cornell seems to say that an artist’s work isn’t fully appreciated until their death:
Formed in 1984, Cornell’s Soundgarden were among the architects of the Seattle-based grunge movement in the 1990s. Read more…
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There is no recipe for making a successful doc/fiction hybrid. In fact, it may be better to throw away any rules at all.
The docu-fiction hybrid genre isn’t necessarily a new thing. In fact, there are some festivals that are entirely devoted to films that blur the line between what is real and what is written. The liberties that filmmakers take in blurring the lines is where the real magic shines through.
Kristoffer Borgli, director of the SXSW standout DRIB and guest on today’s episode of the No Film School Podcast, didn’t realize the full potential of the genre until he was halfway through making his film. He always knew he wanted to screw around with his audience, but to what extent?
DRIB is the true story of performance artist Amir Asgharnejad, a man who amassed a following through fake fight videos he posted on the internet. For Asgharnejad, it was never about getting famous; it was all just a joke. But it seems the joke was lost on an LA-based energy drink company who decided Amir would be the face of their new brand.
No Film School
No, it’s not a magic trick. It’s just clever cinematography.
If you perfectly sync your camera’s frame rate with the rotation of a helicopter’s rotor, some pretty interesting things happen. YouTuber Chris Chris has shared a video that shows a helicopter taking off, which sounds like nothing special, but because the camera that captured the scene had all the right settings, the blades of the aircraft appear to be completely still. Check out this crazy video below:
If you’re wondering how this trickery works, it’s actually relatively simple. The main source of confusion is whether it’s the frame rate or shutter speed that makes the effect possible, but both are actually necessary to pull it off. In an online discussion about the phenomenon, an anonymous reader broke it down:
No Film School
Try to keep up with these 50 film puns in 120 seconds.
We saw a lot of speeches at the insanity that was the 89th Annual Academy Awards last night, including an ultra-rare double acceptance for Best Picture. Many of them were great, many of them were boring. One thing is for sure, however. There were a serious lack of puns.
Enter Punderdome Champion Sam Corbin, whose pun videos have been featured everywhere from The New Yorker to InStyle. These aren’t your grandmother’s run of the mill Cary Grant puns either. She’s getting into Adobe Creative Suite level territory with gems such as: “Production is one thing, but what happens After Effects the film so much.”
It’s a pretty dizzying display of technical terminology. We hope next year’s winners take note.
No Film School