Director and animator Anne Walker Farrell discusses the challenges and mechanics of convincingly bringing a horse-man to life.
In the world of cinema, there are many filmmakers who will tell you that comedy is the absolute most difficult thing you can do. Evoking a laugh from audiences is nearly impossible. Other filmmakers will claim that good drama is the toughest thing to create. After all, getting people to buy into the lives of strangers for two hours is no easy task. But what about combining the two? Apparently, you should only try if you’re putting together an animated show about a world where anthropomorphic animals live alongside humans in peace.
BoJack Horseman is the story of a washed-up sitcom-star who now struggles to find his way in life as he battles through depression, anxiety, and issues of identity. It’s one of television’s most poignant shows, and it has the ability to make you sob in pain and laugh out loud within the smallest time frame in a way that no other show can.
Next month, Switzerland’s hospitals will be equipped with a potentially revolutionary autonomous drone delivery network.
Healthcare providers and a Menlo Park, California company called Matternet have teamed up to implement the system across the country. And on Wednesday, Matternet announced that they had completed «the third and final technology component» to make their drone and information system a reality.
It’s called the Matternet Station: a two square foot robotic drone loading dock and smart launching and landing pad that enables hospitals to quickly send and receive crucial medical samples and resources, all by drone. Read more…
«Don’t judge a bull by its cover.» 20th Century Fox and Blue Sky Studios have debuted yet another trailer, the third official trailer, for the animated film Ferdinand, about a bull raised by a family in Spain and taken to be a fighter, who really prefers to smell flowers instead of battle against matadors. This trailer is all about the cast and the announcement that Nick Jonas has recorded a song for the film. John Cena voices Ferdinand the bull, which might be one of the best voice choices all year. The rest of the voice cast includes Kate McKinnon, Gina Rodriguez, Daveed Diggs, Gabriel Iglesias, Bobby Cannavale, David Tennant, Anthony Anderson, Flula Borg, Jerrod Carmichael, Boris Kodjoe, and Raúl Esparza. This does look quite charming and most of all, it seems to have an important message we can all learn from. ›››
This week, David, Jeff, and Devindra discuss this year’s Emmy wins, ponder the commitment of American Vandal to the bit, and offer their interpretations of Darren Aronofsky’s mother!. Special guest Andy Signore joins us from Screen Junkies.
“Audiences go to movies to feel. When the movie becomes too mechanical instead of organic, audiences detach from the film.”
— Simon Kinberg
Today’s Inspirational Poem
A Spiral Notebook
By Ted Kooser
The bright wire rolls like a porpoise in and out of the calm blue sea of the cover, or perhaps like a sleeper twisting in and out of his dreams, for it could hold a record of dreams if you wanted to buy it for that though it seems to be meant for more serious work, with its college-ruled lines and its cover that states in emphatic white letters, 5 SUBJECT NOTEBOOK. It seems a part of growing old is no longer to have five subjects, each demanding an equal share of attention, set apart by brown cardboard dividers, but instead to stand in a drugstore and hang on to one subject a little too long, like this notebook you weigh in your hands, passing your fingers over its surfaces as if it were some kind of wonder.
I love this poem. It’s a poem for writers. The tactile experience of writing, reflective of the magic and wonder of something emerging from nothing.
Come back later to find out who is today’s Trumbo Award winner.
For background on how the Zero Draft Challenge came into being and what it is, go here, here, and here.
Now Zeronauts, Scamperers, Word Warriors, and Outlaws…
UPDATE: I’m a late night writer myself nowadays, so simply can’t wrap my head around early rising writers (I’m much more likely to stay up until 4:30AM rather than get up at that time). So when I saw this tweet, I figured it was worth rewarding:
4:30am …and on it ☕️☕️🥞🍓 (Good morning 😊) #ZD30SCRIPT
John and Craig welcome back Aline Brosh McKenna to talk about writing projects outside the familiar constraints of screenwriting.
We discuss the surprises and adjustments involved in the creative processes of different media: Aline’s graphic novel Jane, Craig’s HBO miniseries Chernobyl, and John’s original song, “Rise.” We also dig into why screenwriters sometimes need to be amateurs again.
Then we answer listener questions about making fair deals as someone in a different country, and how best to read one’s script before rewriting.
Submit to the Three Page Challenge and check the box if you’ll be in Austin for the Austin Film Festival
A devastating 7.1-magnitude earthquake struck near Mexico City on Tuesday, killing at least 139 people.
With power and phone lines down, people are having trouble getting in touch with loved ones. To make matters more stressful, the country was already recovering from an earthquake that hit less than two weeks ago.
Reprising my Dec. 2013 interview with Saving Mr. Banks screenwriter.
Kelly Marcel is the screenwriter of Saving Mr. Banks and Fifty Shades of Grey. Other projects she has in development include Reunion, Mr. Chartwell, and Cruella.
Here are links to the six installments of the entire interview:
Part 1: “Working in that video store was my education. Nothing is going to teach you structure like watching endless movies and TV shows. Seeing what’s good and why it’s good. Seeing what doesn’t work and figuring out why it doesn’t.”
Part 2: “I loved the idea that this sweet film, this huge part of all of our childhoods, was born out of terrible tragedy. I was taken with the idea of redemption and the effect that our parents can have on us all the way into adulthood.”
Part 3: “I loved it, I wanted to write it, and that was that. It was only afterwards that I thought: ‘Oh fuckitty shitballs! This ain’t EVER getting made.’”
Part 4: “It cannot be said enough that no matter how good anyone thinks a script is, if you don’t have the right director -- a person who will love it and own it as much as you have up to this point -- then you are completely screwed.”
Part 5: “I wrote everything I wanted to say, it ran to 17 pages or more and then I cut it down and then I threw it all away and then I started again.”
Part 6: “I’m personally a big fan of knowing what your theme is before starting. I think they can arise as you tell the story, but writing within and for a theme seems to me to help the process along.”
There could be yet another smart speaker to choose from.
The popular streaming device maker Roku may be building its own competitor to the Amazon Echo. Roku already has some voice-command tech, and some publicly available information suggests its leveraging it to branch out into new projects with advanced audio features.
First noticed by Variety, Roku has listed open positions that are specific to tying audio with software. For example, Sr. Software Engineer, New Products, Audio (Expert) requires candidates with experience taking «new hardware platforms from prototype to mass production.» Other listings were for applicants with experience with «voice user interface design.» Read more…